Category Archives: Books

New Interview with William Latham on Mary’s Monster

New Interview with William Latham on Mary’s Monster

 Conducted by Simon Morris

 Q:  For the uninitiated, what is Mary’s Monster about?

 A:  It’s a sequel to Mary Shelley’s Frankenstein in some ways but not in others.  It doesn’t pick up where Frankenstein left off.  It takes place in the present.  It turns out Mary Shelley’s novel was inspired by true events.  This tells the story of the Monster that inspired her story.  So it’s not a gothic romance like the original.  I suppose if I were going to compare it to anything, it would be some fairly modern films, although I guess they’re not so modern anymore.  If you mixed Single White Female and The Fly and I guess any story about a roommate who’s not playing with a full deck, you end up with some of the tone of Mary’s Monster.

 Q:  Is it a horror book?

 A:  It ends up going in some dark places, but I think we always referred to it as a novel of suspense.  It’s got a couple of scary parts, perhaps.  But it’s mostly about a character you really want to like who ends up just having too many deep psychological issues to really function very well in the modern world.

 Q:  The edition currently on the Powys site is the original edition, not the new edition.

 A:  Yeah, it’s the old one.  It was the very first Powys book and we had some production problems with it and I don’t think any of us were really satisfied with it all that much.  But it got the ball rolling for other projects.  And we’re not planning on ever reprinting this version of the book again, so if there’s ever gonna be a collector’s item with my name on it, this’ll be it.

 Q:  Why not a reprint?

 A:  The new version of the book is going to be a totally new version of the book, rewritten from scratch.  There are cool things about the original book.  It was my third official novel that I’d written, so I was still learning the ropes.  But my fourth novel, that’s where I think I learned plotting.  The new version will be written by somebody who’s learned a thing or two about writing a novel.  I started Mary’s Monster when I was nineteen.  I finished it when I was pushing thirty.  So there was a big long gap of time, where I think I was waiting to find the voice of the character.  It’s a good character, and I think a good story, it just needed to be written by somebody who knew more about writing novels.  That being said, I’ve come in contact with total strangers over the years who’ve read the book and loved it.  One guy even had it on his MySpace page as one of his favorite books, which was a shocker.  But I think most writers will tend to trash their early stuff.  That’s just me talking.  Mateo’s always loved the book.

 Q:  Is the new version finished?

 A:  The new version has been started.  I don’t know when we’ll see it.  I keep getting pulled back onto Moonbase Alpha.  I think some of the structure will be the same as the original, but the characterization of the monster will be different, as will the primary character he deals with.  So I think they’ll be interesting companion pieces.  I don’t mean to trash the original version as much as I probably sound like I’m doing.  It’s a solid novel.  There’s good character stuff in there.  I just think it’s worth revisiting.  I think I was much more experimental as a writer when I wrote the original.  When you’re just starting out, you’ll try anything!  If anything, the old one’s got that full of piss and vinegar sense of a young writer who isn’t afraid of anything.  That enthusiasm that’s so great to see in somebody who’s getting their feet wet with longer narratives.  I have to be careful in the new version not to totally lose everything that was good in the original.  I’m sure I’ll mine the original for some parts of the new one.

Q:  Do you have to be a Frankenstein fan to enjoy it?

A:  It never hurts, but I wrote it for people who hadn’t read Mary Shelley’s original.  The original is not everybody’s cup of tea.  I tried reading it as a kid and couldn’t get past the opening.  If you want a shortcut, see Kenneth Branaugh’s film, the one with Robert DeNiro as the Monster.  That’s relatively faithful to the novel, with a few minor exceptions.  People don’t realize the character from the original novel, the Monster, it ain’t your Boris Karloff monster.  He’s a very smart, very sensitive, very eloquent character.  Very tragic, too.  I think that carries over into my book.

Q:  But would a Space:1999 fan enjoy it?

A:  One never knows.  There are science fiction elements to the story.  You do get to hear how the Monster was created using Eighteenth Century technology.  But I think it’s one of those books that doesn’t easily fall into a genre.  I’ve read other sequels to Frankenstein over the years and they never really did much for me.  Making the Monster a brand new character was the only way I could envision him.  He’s in some ways a mixture of Balor and the Good MUF from Omega and Alpha, I suppose, if that combination is even possible.  But I think it was the Monster’s characterization that first got Mateo talking to me about Balor in the first place.  Some of the flavors of both characters overlap.

 

Mary’s Monster

 

 

MARY’S MONSTER
by William Latham

Two hundred years ago, a legend was born.

Not born of man and woman,
but assembled from pieces of the dead.

Two hundred years ago, a poet mysteriously drowned.

A lord went off to war,
seeking safety in numbers fron an unnamed menace.

Two hundred years ago, a seventeen-year-old girl created a monster.

Someone else created him first.

And everyone knows, monsters never die.

_____________________________________________________

Read William Latham’s very first novel! And for an interview with the author, CLICK HERE.

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Phoenix of Megaron

SPACE: 1999
PHOENIX OF MEGARON

 

by John Rankine
Foreword by John Mason

Cover art by Ken Scott

Support independent publishing: Buy this book on Lulu.

Stepping out of the wreckage of Eagle Seven, Commander John Koenig knew they were in deep trouble. Trapped on a hostile post-apocalyptic world, the Alphans were caught bang in the middle of a centuries-old battle between the peace-loving free people of Hyria and the violent mind-controlled citizens of Caster. If this was truly to be their new home, Koenig knew, for a start, he must end the conflict and bring freedom back to Caster. But there was another power on the planet, one which had the knowledge of the past and its own plans for the future.

Space: 1999 Android Planet

ANDROID PLANET
by John Rankine
Foreword by John Mason

Support independent publishing: Buy this book on Lulu.

Cover Art by Ken Scott

Moonbase Alpha comes under attack.
Commander Koenig journeys to the planet
on a mission to save Alpha from destruction
and to negotiate the settlement of his people.
But is this the new home they seek?
Or is it a battleground
between humans and androids,
treachery and ruthlessness,
survival and extinction?

 

Interview with Pat Sokol on The Powysverse Compendium

Interview on The Powysverse Compendium with author Patricia T. Sokol

 Conducted by Simon Morris

 Q.  What is the Powysverse for you?

 A.  As a reader or as a something else?  As a reader, it’s hard to say, because there are so many answers.  I’m not familiar with other media tie-in books, novels, whatever, because nothing ever grabbed my imagination like Space:1999 did or does, so I’ve never followed anything else.  But, for the fan side of my brain, the Powysverse was constructed by people who have a great affection for the show and understand that it never flourished as it might have.  It was 30 years ahead of its time.  Now, there is richness in the storylines and a reason for so many apparently disparate things to have happened, and belief doesn’t need to be suspended as much.   It feels like the things we wanted, but never got.  Maybe we didn’t realize we wanted it, because a lot of us were kids in the mid-70s.  But, now that we call ourselves grown-ups, and we realize how our own experiences have shaped us, we can empathize with suddenly being a step-dad to a teenager, or having a parent pass away, or having a good friend just up and go.  The Powysverse takes what was great fun, and makes it grown-up, but at the same time, it’s still a whole lot of fun.

 Q.  When did you realize that there was a metastory behind the individual novels? How do you feel about this development and how did it affect your approach to writing this book?

 Soon after Victor showed up in Omega, with BadMike shortly thereafter.   I right away went back and reread “Spider’s Web.”  Reading “Spider’s Web” the first time, you say, OK, the dragon things are here too, and they’re nasty.  Poor Leira.  Poor Yendys.  Gee, it’s nice Victor was happy and it’s too bad she had to die, and jeepers there’s more of that confusing dialog in italics and how come Yendys is in a story by Bill when Brian Ball wrote Survival and wait a minute what’s been traveling with Victor and why did it say “It was good to have known you,” and how did Ryan get there and then POW!  Well then, you start rereading all these dialogs between characters that have no corporeal form and you can’t figure out who is saying what and all of a sudden you go “Holy (noun of your choice)!” and what was that voice Koenig heard in Resurrection and who shot the moon at the Space Brain and oh, wait… I’m giving too much of this publication away.

Now, how do I feel about it…?

 Q.  Was it something you expected…?

 A.  Never ever expected, because there was no reason to.  Resurrection is a good stand-alone, and it had its own little mini-arc.  But that bit in the middle with Koenig on the surface, I didn’t know what to make of it.  Of course, neither did Balor.  Then, The Forsaken was good, because it answered a basic question in a reasonable way, but the Prelude?  Well, it didn’t make sense except for the obvious.  I mean, why the emphasis on malfunctions?  And why the big long discussion about external influences?  And the dialog between Susurra and something at the end of Survival?  That was just confusing and it annoyed me.  But it is so obviously Bill Latham’s style, again in Brian Ball’s book.  Then, I realized there must be a thread running through and that made me go back and study the most innocuous conversations.  I think that’s how the metastory development affected my approach to this book.  The realization made me look deeper and understand things I had glossed over because they didn’t seem relevant.  After that, it was like a treasure hunt, with lots of little “Eurekas!”  And I’m anxious for the stories to play out, because we know where they’re headed, but not how they’ll get there.  That affected the writing, for sure, because there are many, many avenues the metastory can take, so putting together the book entailed a lot of “What if?”  and “Hey, maybe…” and even more of “Now that makes sense.”  So, I guess realizing there is the metastory has made everything more exciting.  Intriguing.  Being wrong is fine, too.  Theorize, experiment, revise theory, test revised theory.  That’s what it’s about.  Lather.  Rinse.  Repeat.

 Q:  How did this book come about?

 A:   Apparently the Powys folks were thinking that the Powysverse had expanded sufficiently that some stellar cartography was needed. And Mateo thought I would be the right person to do it. There are so many things sprinkled through-out.  A line here, a few words there.  After a while, patterns emerge, and, well, at the risk of making another bad astronomy reference, the panoply of constellations in the over-all arc is really taking shape.  They figured it was time to get it in writing, partly for people to read and have a “D’oh” moment, and also as a reference guide for future authors.  I mean, when you need to know Sandra’s cousin’s name, or the name of the music school Paul was accepted at, do you want to go flipping through the books to find it, or would you like it conveniently at your fingertips?

 Q:  And your involvement?

 A:  I opened an email with the subject line:  “So, we were thinking…”  After recovering from convulsive laughter, I thought about it, though for not as long as I led the email sender to believe, and thought it might be interesting to take on.  I get a real kick out of putting things together, and even letting my imagination run a bit to see connections where there may or may not be any.  The guys have been most gracious in saying I’ve made some observations they never thought about, but fit.  I think they are underestimating their own intuition.

 Q:  How did you decide what to put in and what to leave out?

 A:  Just a few criteria.  For the major characters, I did my best to combine everything that has been available in writers’ guides, broadcast episodes, early draft scripts, early novelizations, which were often based on early scripts, cut scenes, and so forth, to flesh out their backgrounds – with special attention to what has appeared in Powys’ original novels and stories.  That’s how the term Powysverse was coined.  Events and characterizations that Powys has published and are canon as far as their incarnation of the Space:1999 universe is concerned.  With that as a base, you can build, to say, “Oh, yes.  Koenig might have referred to Sam Burke as a scoundrel and sneaky Romeo because of XYZ.”  It might be complete bunk, but it might also be something somebody wants to run with at some point, if only as a launching point for their ideas.  Or to make a character more real, which is good for story development.

For secondary characters, they got a nod if they showed up once on-screen, but did something or were added in a Powys edit or a Powys publication.   Sally Martin, for example.  She’s killed within 5 minutes in “The Lambda Factor”, but has something to add to the fabric earlier on.  Completely new characters and species have as much as I could glean about them, just in case they pop up again in the future.  Or past.

 Q:  But this is Powys authorized?  How can you make things up the authors didn’t intend?

 A:  I’ll paraphrase a wise man.  Fiction writers get paid to lie.  I’ve been told this will be “Powys authorized”, but not “Powys approved”, so I have a little free rein.  I’ve been careful not to make anything up, like, Carter hasn’t had a steady girl until Eroca because his first wife was eaten by rabid wallabies.   I guess we could consider some parts speculative non-fact, as opposed to speculative fiction.

Personally, some of the dots that were most fun to connect were the ones I had to really stretch, because there is no reason to believe it other than it’s something that just popped into my head, but it makes sense.  I’ve made a case about Psyche that, when I first mentioned it to Mateo, he wrote back, “No, no, no…It’s (blah blah blah).”  That made me more resolute, and I went back and found more supporting evidence for my “theory.”

 Q:  Will there be updated future editions as new books come out?

 A:  As long as Powys keeps publishing, there will need to be updates. 

 Q.   How does it feel to know you’re going to be a published Space: 1999 author?

 A.  Really, really weird.  Like on your birthday, that indefinable good feeling.   A few days ago, my son, who is the same age now as I was when Space:1999 first aired, was bugging me with questions trying to figure out what his Christmas present is.  I told him that when I was his age, I asked for books for Christmas.  What I had actually put on my “wish list” was “any more books in the Space:1999 series.”   I remember that quite clearly.  Is that geeky?  Anyway, I got Android Planet and Phoenix of Megaron that year.  Now, I hear Powys is aiming for announcing this book on Christmas.  So, this year, I got a new Space:1999 book, too.  It’s sort of karmic.  Or MUFlike.

Sampler 2011

Visit our web-site!

http://www.tecamachalcounderground.com/?fbclid=IwAR2IAA00yS1ih2cawdTiaBnqtMnkSu5eDAi45NpPilNFjialbvCxexuFkeI

TECAMACHALCO UNDERGROUND aka TKU

TKU is the musical collaboration of Cesar Gallegos and Mateo Latosa. Their work is a mixture of ambient, electronica and traditional Mexican music. In addition to their group releases, Gallegos and Latosa (under their own names or as TKU) have written scores for web-series and theatre, as well as music for gallery installations.

 

JOHN KENNETH MUIR’S “THE HOUSE BETWEEN” (Dir. John Kenneth Muir)
CESAR GALLEGOS/MATEO LATOSA
Original Internet Television Score
Released: May 2010

Cover art by Kim Breeding
Released as an MP3 CD containing the scores for all three seasons of the web-series.

 

SAMPLER 2011
TKU: TECAMACHALCO UNDERGROUND

Promotional Sampler
Released: April 2011

Cover photograph by Ryan Pham
Promotional CD and album digital download via iTUNES, TuneCore, Rhapsody, AmazonMP3 (and others!) released in April 2011.

01. Marshland Trance
02. For Pawel
03. For Ryan Pham
04. Xochitl (Demo v.1)
05. Innocence and Beauty
06. For Cesar
07. Air
08. Shines the Moon (Wach’inak le Ik)
09. Walking with Hands Held
10. For Norma
11. India (Edit)
12. Samoset
13. Seven Fluid Ounces
14. An Irishman in Teotihuacan

NOTE: The track “Marshland Trance” was featured in the CREATIVE JAM Arts Festival at the St. James Centre in Edinburgh, Scotland in August 2011.

 

 

MILLENNIUM APOCALYPSE: THE DARK INSIDE YOU (Dir. Jason Morris)
CESAR GALLEGOS/MATEO LATOSA
Original Internet Television Score
Released: December 2011

Cover art by Jason Morris.
Released as an album digital download via iTUNES, TuneCore, Rhapsody, AmazonMP3 (and others!).

The score for Millennium Apocalypse: The Dark Inside You was an award winner at the 2012 LOS ANGELES WEB SERIES FESTIVAL in the category of Composer/Horror, Science Fiction or Fantasy Series.

 

01. Jordan and Amanda 02. Love Evolving 03. Nuages 04. Hold Me 05. Gunman 06. Dark Revelation 07. Amanda’s Vision 08. Thoughts Tumbling 09. Love Interrupted 10. Agents Walking 11. Anxious Moment 12. Interrogation 1 13. Interrogation 2 14. Interrogation 3 15. Jordan’s Vision 16. Jordan with Gun 17. Meeting Peter Watts 18. Broken Thoughts 19. I Feel Your Pain 20. Lonely Stance 21. Jordan and Amanda 2 22. Faxing 23. Peter Watts Faxes Back 24. Jordan’s Prayer 25. Mea Culpa 26. Domestic Watts 1 27. Domestic Watts 2 28. False Alarm 29. My Personal Chaos 30. Computer Visit 31. Seeing You Again 32. So Real 33. Car in Rain 34. Heard a Noise 35. Tech Embrace 36. Avatar Presentation 37. Fading 38. Mist on the Water 39. Focus Please 40. Slo-Mo Sequence 41. Confrontation 42. Wrong Number 43. Jordan Back Home 44. Strum Obsession 45. Symbol on Bar 46. Peter Watts Coda 47. Love Unraveling 48. See the Body 49. Wasted Again 50. Interrogation of Riley 1 51. Interrogation of Riley 2 52. Interrogation of Riley 3 53. Take My Heart 54. After the Dream 55. Longing Too Long 56. Mrs. Franks 57. Taylor on Computer 58. La La Landing 59. Sobering Up 60. Riddles 61. Left Me Hanging 62. Taylor Threatened and Climax 63. Amanda and Jordan’s Future

 

INDIA
TKU: TECAMACHALCO UNDERGROUND

Single
Released: December 2012

Cover photograph by Vanessa Champion
Single digital download via iTUNES, TuneCore, Rhapsody, AmazonMP3 (and others!)

01. India (31.31 version)

 

MUSIC FROM THE CAFE MAK
TKU: TECAMACHALCO UNDERGROUND

Album
Released: January 2012

Cover photograph by Ryan Pham
Album digital download via iTUNES, TuneCore, Rhapsody, AmazonMP3 (and others!) released in January 2012. Featuring ten tracks:

01. Rain-Scented Flowers (For Julia)
02. For the Mad King
03. Thoughts of Friends Lost
04. Cafe Mak Orchestra (For Simon Jeffes)
05. An Elevated Point in the Centre
06. Steel Guitars Under Purple Skies
07. Brooklyn (Mix II)
08. Swinburne’s Roundel
09. For Lance H.
10. Rain-Scented Flowers (Mix V)

 

RUBEN AMAVIZCA-MURUA’S “SOLDADERAS” (Dir. Ruben Amavizca-Murua)
TKU: TECAMACHALCO UNDERGROUND
Original Theatrical Score
Released: May 2012

Cover layout by Jose Prado
Released as a CD (at theater) and as an album digital download via iTUNES, TuneCore, Rhapsody, AmazonMP3 (and others!)

SOLDADERAS
Written and directed by Ruben Amavizca-Murua
Performed by El Grupo de Teatro SINERGIA
Frida Kahlo Theater in Los Angeles
Premiere performance on May 25, 2012.

01. La Mujer y La Corona de Plumas
02. Mountains in the Mist
03. El Viento
04. Serious Strings
05. Conversations in Pollen
06. An Irishman in Teotihuacan
07. Pensamientos
08. Mountains in the Mist 2
09. Dark Underscore
10. Guitar Arcades
11. Testigo a Atrocidad
12. Glimpse
13. Momento de Felicidad
14. Mountains in the Mist 3
15. Glimpse of God
16. Nothing
17. Lejos de Ti
18. Un Nopel en Antwerpen

 

 

 

REVERIES
TKU: TECAMACHALCO UNDERGROUND with VANESSA CHAMPION

Cover photograph by Vanessa Champion

This album is the companion to a series of videos by and/or featuring the photography of Vanessa Champion. The videos will be released as a DVD collection with the same title. Album digital download via iTUNES, TuneCore, Rhapsody, AmazonMP3 (and others!)  NOW AVAILABLE (January 2013). Featuring ten tracks:

01. Storm Clouds Seen from the Bottom of a Well
02. Butterflies at Twilight
03. Guitarist’s Meditation
04. Two Days Wednesday
05. Hope (For Vanessa)
06. Sympathetic Pulse
07. Rryl of Sorrow
08. Beneath the Surface
09. Walk along the Riverside
10. Her Thoughts Unspoken

 

 

FORTHCOMING RELEASES:

THE RETURN OF THE ABREGO 10
TKU: TECAMACHALCO UNDERGROUND

Cover design by Jose Prado

 

 

Interview with William Latham on Chasing the Cyclops

Chasing the Cyclops Interview

conducted by Simon Morris

 Q:  Chasing the Cyclops is a book about…well, what exactly is Chasing the Cyclops about?

 A:  Well, quick heads up to everybody, it’s not a novel.  It’s not fiction.  When it was time to do the final entry of the Omega Diary on my web site, I started trying to pull together my notes that I always said I’d put up on the site once Omega was out.  I thought it would be one long entry.  It just started growing and growing.  There were just too many things to cover.  Particularly how we came up with the whole Powysverse mythology.  I think one weekend I had too much coffee and I just started digging in and after that first weekend I already had more than sixty pages of stuff.  So I talked to Mateo and I said let’s just put it out as a book.  People are either going to be interested or not, I don’t know.  The Space:1999 books are already a niche market, and this book’s going to appeal to a niche inside the niche.  The writers out there might be interested and there are a lot of writers out in Space:1999 land.  But this is one of those books that if we sell five copies, I’ll be happy.  Thanks to lulu.com, there’s no big investment that we have to cover.

 Q:  How is the book structured?

 A:  It’s grouped together into the sections you would expect, how the mythology was built, how the plot for Omega and Alpha were pulled together, why Spider’s Web was written in the first place, but a lot of it stems from how we were going to bring Victor Bergman back.  This book’s even got diagrams in it, cheesy old diagrams I threw together when we were figuring out how the polar ice caps on the various planets were going to be melted.  I made one rule for myself going in – I wasn’t going to try to sanitize anything.  You’ll see a lot of old analyses and emails that I sent to Mateo over the years as we pulled together the pieces and we ended up switching gears on a lot of topics.  Like the MUFs, the good one and the bad one, if you can simplify things to that degree.  The good one and the bad one kept switching identities.  The MUF of Dragon’s Domain, at least on the surface, looks very nasty.  Over time, we realized that for the story we were going to tell, the MUF of Dragon’s Domain, even the dragons themselves, were the good guys.  There are also some cool things in the book that people don’t usually get to see, like my original story treatment and the first stuff I wrote on a story or novel called “Drip” that was the birth of the brell.  I found all of it and put it in this book.  You’ll see Martin Willey’s “vetting” emails where he goes through and humbles you on matters of science or Space:1999 but occasionally has you bursting out laughing with his comments.  I usually call this going before the Supreme Court of Space:1999.

 Q:  Did you like working on this book?

 A:  Yes and no.  It’s so different from writing fiction.  It’s making me miss writing fiction because with a novel, I can tell if I think the plot’s working.  This book has a kind of plot, but it’s more like journalism, where you’re trying to tell what happened rather than show something happening.  This is a book that will be pulled away from me more than me reaching a point where I can say I’m finished.  There are always more details I could talk about. Plus, going in, knowing that you’re writing a book that’s going to appeal to a pretty small audience, you want to deliver what that small audience would want to read, and I honestly don’t know who the audience is for this book.  Is it people who really liked Omega and Alpha?  Maybe.  But they already had Omega and Alpha to read.  I guess I asked myself…is this book necessary?  Something inside me wanted to come out.  Maybe I’m writing this book for me twenty years from now.  But, back to the writers out there, there’s probably a formula in here for how to approach building a universe, or a mythology, or something in the middle, if that makes any sense.

 Q:  Is there anything in here that will surprise people?

 A:  There’s stuff in this book that surprised even me.  Especially if you know anything about Joseph Campbell.  But if there’s anything that will surprise people, it’ll be in learning how we didn’t just say hey, let’s have David Kano talking to Susurra, or a future Koenig kid.  This whole thing started from trying to bring Victor Bergman back.  The earliest analysis I found that had some of the seeds of Spider’s Web as well as Omega and Alpha was actually written in 2001, before Resurrection was even published!  The Powysverse mythology and Omega and Alpha are tightly intertwined.  But so many parts of the plot came about because of problems we had to address, like how could Victor find his way back to Alpha.

 Q:  Are we going to see more non-fiction from Powys, more Space:1999 non-fiction?

 A:  Yes.  But not from me.

 Q:  What’s next for you?

 A:  Johnny Byrne’s Children of the Gods.  That’s a pretty daunting project.  Johnny and Mateo got to spend a fair amount of time talking about it before we lost Johnny, so I’m picking up the threads from the work they did, so I always have to balance a lot of things when I work on that, including being faithful to Johnny’s original vision of it.  Then I think I’ve probably got one more Space:1999 novel in me before I call it quits.  But my dream project is something I call “Tales of Arkadia” –stories about pieces of the Powysverse mythology that warrant some more substance, like the story of Adantia from Alpha.  I don’t know that I’ll ever even write it, but I think I could have a lot of fun with that.  With the Adantia story in particular.  We’re also trying to get all of the reprints going soon, including “Eternity Unleashed” as a standalone novel.  So people can stop trying to sell it on Amazon for a gazillion dollars.

 Q:  When will Chasing the Cyclops be released?

 A:  I’m seriously shooting to have it out by mid-December, so people can have it under the tree.  It’s in its final edits now.

Q:  What’s the significance of the title?

 A:  Naturally, it’s a bad pun, on chasing a unified vision.  But don’t tell anyone.  They might groan.  But I promise, no cliffhangers, this time around.  Hey, I warned everybody!  At the end of my interview for Omega, just check out the last thing I said!

Chasing the Cyclops

Chasing the Cyclops: The Creation of the Powysverse Mythology (and Omega and Alpha)
by William Latham

Foreword by Mateo Latosa

Support independent publishing: Buy this book on Lulu.

Cover art by Ken Scott

Interview with William Latham on Chasing the Cyclops

In 2001, Powys publisher Mateo Latosa and author William Latham embarked on a journey that resulted in the Space:1999 novels Omega and Alpha, a journey that involved creating a unified mythology to tie together the apparently random incidents that fans have called the Mysterious Unknown Force. Chasing the Cyclops tells the story of how the mythology was built, how the novels were plotted, and ultimately, how answering questions posed for a quarter century revealed still greater mysteries!

 

SPOILER ALERT!!! The diagrams below contain major spoilers about Omega and Alpha!