All posts by Bill Latham

Interview with David A. McIntee

An Interview With David A. McIntee, Author of Space:1999 – Born For Adversity
and Mateo Latosa, Space: 1999 Year Three Editor
by Simon Morris

Q: So what’s the overall approach for Year Three? What’s different from Years One and Two, what’s the same? David — how does your book in particular reflect the new series approach?

DM: I can’t speak for the arc as a whole, but… From my viewpoint it’s still the same series, but the characters really have to deal with the fact that Moonbase Alpha is no longer a place for Earth-related work, but is essentially a new colony, a generation starship whose mission profile is utterly different from that intended for the base. At the same time, I think they have to use more of the Moon — it’s not just a setting, it’s their ship and world.

I don’t think a straightforward pastiche would work in this day and age, but at the same time, it’s not quite the place for a full-scale Battlestar style remake. It’s definitely the same series with the same cast, but, to coin a phrase, too broad and too deep for the small screen…

ML: Anyone familiar with Space: 1999 knows there is a tremendous difference in style between Year One and Year Two. Without going into detail–and the Y1/Y2 divergence is a major topic in S99 fandom–the Year Three books will be written in a Y1 style while, at the same time, featuring characters introduced in Year Two. We have established that both seasons are part of the same ongoing continuity.

Q: What sort of story are you aiming to tell in Born For Adversity? Dramatic? Playful? Personal or epic? Is it still basically a pastiche of the TV show, or a complete widescreen re-imagining sort of thing?

DM: It’s a modern thing, but as I said not a total revamp. It’s mostly personal and dramatic, but it’s a personal story set against an epic backdrop. Hopefully it won’t be totally humourless either. If it was on screen it’d still have the same cast, but a bigger budget and more depth, with less silliness.

I guess in a way I want to mix the science and wonder of Year 1 with the adventure of Year 2.

Q: David, when you were working out Born For Adversity, how much were you conscious of setting things up for future authors, and how much were you just doing your own thing? How much of a free hand have you had so far?

DM: Mateo had a basic plot, which I’ve added to and changed with a pretty free hand. I’m very aware that other people will be following – and indeed that I have to set up for a Year 2 book that will be published after mine! – so I’m just spinning off as many potential hooks as I can, as well as layering in the arc elements that Mateo already provided, and one or two that I’d like to follow up on myself in another book.

Q: How far down the line is Year Three going to pick up the story? Given how long “Year Two” actually took in calendar terms, should it be called Space: 2005?

DM: I haven’t thought about that, actually – but it follows on directly from the end of Year 2.

ML: Funny you should ask that question. I considered, but rejected, the idea of changing the year on the book covers depending on what year the story took place. I must admit now, it was a moment of madness. SPACE: 1999 is the series title, for one. And internally, the series takes place so far from Earth that Earth-related dating has no real relevance.

Year One and Year Two refer only to the first and second seasons of episodes, though each YEAR actually encompasses multiple calendar years.

Q: Will there be continuing storylines through the books, or will they be pretty much independent “episodes” like the previous Powys novels?

DM: I’m not Mateo, but there are story arcs…

ML: Even in the previous novels, there are small parts of the meta-story–the ARC–revealed. All the books are written to dovetail with the episodes of the original series while, collectively, gradually contributing to a larger story which can really only be understood by reading all the books. In addition, the arc comprises elements from the original episodes, eventually tying disparate threads into a coherent whole.

Q: Would new readers need to have read any of the previous Powys books to follow Born For Adversity, or the Year Three ones in general?

DM: No. Perversely, it ties in most closely to a Year Two book that as I understand it will be published later – so I have to be very careful to follow on from that without giving away the end of that book. The idea is that you should actually get two different payoffs from my book, depending on whether you read the series in publication or chronological order.

ML: I think a good comparison would the Darkover novels of Marion Zimmer Bradley. Each can be read independently of the rest, but as David said, there are different payoffs depending on how they are read.

Q: Is there stuff in the earlier books that foreshadows Year Three, or otherwise sets it up? Any hints you want to drop?

DM: Yes…

ML: There is a poetic and beautifully written scene in Resurrection in which Koenig hears a voice in his mind while out on the surface of the Moon. The Forsaken further explores what this mysterious presence might be. Survival by Brian Ball, provides a few more pieces of the puzzle. It’s up to the readers to put the pieces together.

Q: How far down the line is Year Three mapped out? Are the plans nailed down, or is there still room for things to change?

ML: Year Three is a loose term. Presently it means stories after Year Two. But we have plans for novels up to Message from Moonbase Alpha and beyond. The specifics may change, but the overall blueprint is there.

Q: The previous novels have got a lot of mileage out of the changes between Year One and Year Two — introducing and writing out cast members, explaining all the changes in theme and approach. Will there be a similar amount of change as the Year Three books go along?

DM: Well, I certainly have things in mind!

ML: The novels that “bridge” Year One and Year Two are limited by the events and continuity of the respective seasons. Year Three is interesting because, though we will respect established continuity, all bets are off as to what kind of stories we can tell and what can happen to the characters.

Q: Any plans for new recurring characters?

DM: There will be some recurring guests, as far as I know.

ML: Certainly a second generation of Alphans will begin to provide us with new characters, and we are laying the foundation for that in the novels. Interestingly, in the series itself, despite losses, Alpha’s population actually increases from the beginning of Year Two to the end. This suggests that children, though unseen, are being born.

Q: Where can Year Three go that Years One and Two didn’t (or couldn’t)?

DM: It can find a more unique voice, not constrained with fitting in with the TV episodes, much like the (Doctor Who) NAs/EDAs as opposed to the MAs/PDAs.

ML: David hit the nail on the head. The Virgin Doctor Who novels were certainly our inspiration for the launch of Powys’s Space: 1999 line.

Q: Will we be seeing more of the first season’s “Mysterious Unknown Force” approach, or more of the “Alphans as masters of their own destiny” approach of Year Two?

DM: In Born For Adversity, definitely the latter.

ML: If Survival marks the point at which the first approach ends and the second begins, then Year Three will eventually bring things full circle.

Q: Where do you see this journey leading the Alphans? Do you have an endpoint you’d like them to get to?

DM: Sometimes the journey is its own destination — I certainly couldn’t imagine them getting back home or anything like that.

ML: The novels, and the Alphans, will eventually reach Terra Alpha (Message from Moonbase Alpha), but we agree with Johnny Byrne–that will not be the end of the Alphan odyssey, but rather the point at which it will see a new beginning.

Space: 1999 Year One Omnibus

Space:1999 Year One Omnibus

by E.C. Tubb, Brian Ball, John Rankine, with new introductions by the authors.

Additionally, the End of Eternity novelization from Eternity Unbound will be included along with E.C. Tubb’s original novelization.

The limited first printing of 100 copies will contain signature pages from Tubb, Ball, and Rankine.

Printed in the same style as the Year Two Omnibus, the Year One Omnibus will be revised to match series continuity and to incorporate some events detailed in the original Powys novels.

An optional slipcase is being considered to house both books!

 

 

Space: 1999 Year Two Omnibus

SPACE: 1999
YEAR TWO (Omnibus)

by Michael Butterworth

Foreword by the author
Afterword by Mateo Latosa

SOLD OUT.

This limited-edition hardback omnibus contains six books in one — the complete set of novelizations of Year Two episodes, now revised, expanded, and updated with new linking material to create a consistent and unified saga. The year’s adventures now include links to the episodes of Year One and Powys Media’s original novels, so that they fit in smoothly following Survival and point the way to the Year Three novels.

After the original limited edition of 100 signed-and-numbered copies sold out before the official release date, a second edition of 100 was made available. These copies are identical to the previous edition except that they are unsigned and un-numbered. Each copy is bound in a black vinyl cover with embossed silver lettering. The book is a large-format hardback (8.5″ by 11″) priced at $100.

This omnibus features a foreword from Michael Butterworth and an afterword from Powys editor, Mateo Latosa. Author Michael Butterworth explains the frantic circumstances under which the Year Two novelizations were originally written, and some of the resulting oddities which are being smoothed out…

Butterworth has also novelized the episode The Taybor — omitted from the original novelizations — as well as reworking the linking material. For the first time, the episodes are presented in date order (according to the log entries), as opposed to the arbitrary airing order, production order, or original novelization order.

 

Released Spring 2005

Space: 1999 Resurrection the Audiobook

Space: 1999 Resurrection the Audiobook                               ISBN-10  0967728096 / ISBN-13 978 0967728094

Read by Barry Morse

CURRENTLY UNAVAILABLE

The Resurrection audiobook is a one disc MP3 CD which may not be compatible with all CD players.  It will, however, work on most modern DVD, CD, and MP3-compatible players.  This format was decided upon to keep the price for this outstanding performance by Barry Morse as low as possible. As an added BONUS, we are pleased to announce that we have licensed the Space: 1999 Main Title and End Title themes to bookend this audio book!

NOTE:  Powys will not accept returns if it doesn’t work on your older model CD player!

Read an interview with author William Latham on the Resurrection Audiobook. 

Hear a sample!

  resgood

Space:1999 Born for Adversity

SPACE: 1999
BORN FOR ADVERSITY

By David A. McIntee

Foreword by Catherine Schell

Support independent publishing: Buy this book on Lulu.

Cover art by Ken Scott

 

As the Moon enters an area of space controlled by a mysterious alien race,

Computer is plagued by strange malfunctions. 

A ship of apparent refugees crashes near Alpha,

Heralding strife for the base and an emotional crisis for Maya. 

Change has come to Moonbase Alpha,

And the future will never be the same…

 

This novel features a foreword by Catherine Schell who starred as Maya. 

Released February 2010

Read an interview with the author.

 

Space:1999 Shepherd Moon

SPACE:1999
SHEPHERD MOON (Anthology)

Support independent publishing: Buy this book on Lulu.

Cover art by Ken Scott

 

Includes contributions by E.C. Tubb, Brian Ball, John Kenneth Muir, William Latham, Michael A. Faries, Stephen Jansen, Emma Burrows, and others.

The distant past and possible futures.  Mysteries revealed and new threats emerging.  Shepherd Moon is the first anthology of Space:1999 short fiction featuring classic, present, and future authors spanning the entire history of Moonbase Alpha in its ongoing odyssey of adventure.

Released January 2010

Spoilers Shepherd Moon Interview

 

 

 

Space: 1999 Survival

SPACE:1999
SURVIVAL

Choose Your Edition
 

Standard Paperback

19603989

 

 

Support independent publishing: Buy this book on Lulu.

 

 

 

Trade Paperback

20526665

 

 

Support independent publishing: Buy this book on Lulu.

 

 

 

Hardcover

20548298

 

 

Support independent publishing: Buy this book on Lulu.

 

 

By Brian Ball
Foreword by Barry Morse

A sea of destruction in space

Littered with the debris of spacecraft…and the dead

A failed exodus

Those who remain face almost certain annihilation.

Yet one final decision must be made

A choice between life and death

In which humanity is a liability

Ethics are expendable

War may be the only recourse

And survival must be won…at any cost.

This novel features a foreword by Barry Morse, who starred as Professor Victor Bergman.

Released February 2005

Space:1999 Eternity Unbound

SOLD OUT!

 

SPACE:1999
ETERNITY UNBOUND

by William Latham

Afterwordy by the author

Cover art by Keith Wilson

 

 

He saw a future without pain, without suffering, without end

He unlocked the mysteries of life and death,

And united a world, launching a new age.

Only to find that death was sacred.

And that life without death led to damnation.

And salvation would be found…in pain and suffering.

From the depths of madness, he will change a world,

Forging a new path leading ultimately to exile in the far reaches of space.

Where he will face eternity…alone.

Until a chance meeting offers him the possibility to rule once more.

But his new subjects will not come from his world, but from ours.

 

Released February 2005

Interview with William Latham on Eternity Unbound

 

 

 

Space:1999 The Forsaken

SPACE:1999
THE FORSAKEN

by John Kenneth Muir

Foreword by Prentis Hancock

Support independent publishing: Buy this book on Lulu.

Cover art (Rose Petal) by Cesar Gallegos/Vicente Gallegos-Aguazul

 

 

 

A mysterious signal is intercepted…

The collective voice of a dying race…

A plaintive call to forces beyond human ken

Yet in the ruins of a civilization…hope

A chance for a new life, a new home?

Or a deception…?

Sinister forces are still at work

Forces of destruction and genocide

That transform Alphans… into Angels of Death 

 

Released January 2003

Interview with John Kenneth Muir on Space:1999 The Forsaken

 

 

 

 

 

 

 

Interview with John Kenneth Muir on Space:1999 The Forsaken

Interview With John Kenneth Muir, Author of Space:1999: The Forsaken

Q: How did The Forsaken come about?

A: Mateo has worked really hard to launch this book series, and we had discussed the idea of a 1999 novel many times since we met three years ago at the „Breakaway“ convention in Los Angeles. When Powys acquired the license, we began serious discussions about what kind of story would be fun to tell in the 21st century. Mateo and I often have intense rolling conversations about the series in which we play off each other’s ideas and things just kind of snowball. It was out of one of these rolling dialogues that The Forsaken was born.. I pitched an idea to Mateo, he liked it, we tweaked it together, and when we found something that was really exciting – and controversial – he said, ‘that sounds like a book!’ Also, I credit Johnny Byrne. He’s very much the spiritual father of this book. I had a three hour conversation with him about the future of Space: 1999 and what kind of stories would be interesting (this was back in January or February of 2001), and I used some of that material in various print interviews, but he got me thinking of amazing things. He’s such an imaginative and brilliant writer.

Q: What is your experience with Space: 1999?

A: I wrote a reference book called Exploring Space:1999, for McFarland (www.mcfarlandpub.com) in the mid-90s. It was published in 1997. It went to a second printing and has sold very well. I’ve been a guest speaker at series conventions in Los Angeles and New York, and had the good fortune to interview many of the program’s brain trust, including Johnny Byrne and Brian Johnson (for Filmfax), Catherine Schell (for my book), and Martin Landau (for Cinescape). I’ve also written about Space: 1999 in Rerun Magazine and in my encyclopedia of horror TV, Terror Television (2001). So I’m very familiar with the series; it’s an enduring love. It never gets old for me, and I feel like I’m always seeing something new in it. I’ve been following the DVD releases with excitement and I was fortunate enough to read an advance version of Resurrection back in the summer-fall of 2001, I guess it was. And it blew me away. Scared me silly.

Q: Most of your work is non-fiction, so did you have any trouble adapting to fiction?

A: Not particularly. It’s different, but I’ve had good experience preparing for the assignment. Although I’ve written eleven non-fiction books in the last six years, I’ve also sold short stories to The Official Farscape Magazine („That Old Voodoo in issue # 6 and another in issue # 8 called „Make a Wish“) and Reality’s Escape. Back in 1996-97, I wrote a novel entitled The Cyprus Harlots. So this isn’t my first stab at fiction, or even at series fiction, for that matter. Since I was in high school, I’ve written scripts for crazy horror movies that I made on videotape with friends, so fiction is fun for me.

Q: What’s the book about?

A: In general terms, The Forsaken concerns destiny versus free will. That sounds heady and philosophical, but Space: 1999 was often concerned with just such weighty philosophical issues. If you watch the first year, it’s all about destiny. The Alphans seem to be dealing with that mysterious unknown force. In Year Two, it’s all self-determination – „we make our own fate,“ and all that. My thought was that something pretty drastic – and catastrophic – must have happened between seasons to cause those overt philosophical changes. That’s not to say the book is some dry, metaphysical treatise. One of the things we wanted to do was include some major action sequences…some tension and excitement.

Q: What was the challenge of writing a Space: 1999 novel?

A: I love and admire Space: 1999 in the deepest sense imaginable, but it isn’t a humorous series, and wasn’t designed to be. Personally, I find that a little difficult as an author. Humor advances characterization, story, everything, and it’s against my natural inclination to hold back. Writing fiction for Farscape, for instance, feels very natural because referential humor is such a core concept of that franchise. In Space: 1999, there can be humor, but it can’t be the kind of zinger or self-referential joke you’d hear on Farscape, or Buffy the Vampire Slayer. There’s a formality to writing for Space: 1999 that is a challenge. You have to intimate „cosmic“ possibilities without being ponderous or pretentious. The book has to have gravitas, but not be boring or staid. It’s a delicate balance, but fortunately I have good people looking over my shoulder to kick me in the ribs when I misstep…
The other difficult thing was the creation of a new alien race. This isn’t a TV show where you can put a few ridges on an actor’s head and say „these are space capitalists“ or „these are space communists,“ or „this race is like samurai warriors on another planet.“ You can’t get away with that in a full-length book. Your alien culture has to be believable, consistent, and really and truly alien. That was a major challenge, but I have to say, Mateo completely encouraged my vision, and even augmented it. He was so supportive of my efforts, and believed from the get go that this alien race had to be more than „the alien of the week.“

Q: Any thoughts about following Resurrection?

A: Bill [Latham] is a good friend of mine, and he wrote a riveting, heart-pounding horror story. Honestly, that’s the kind of Space: 1999 adventure I enjoy most. Give me „Force of Life,“ „Dragon’s Domain,“ or „End of Eternity“ any day! I like the gory, gothic, horrific aspects of those episodes a lot. But for the second novel of the Powys series, we all recognized it would be redundant to follow a great story of that particular genre with a similar one. We had to go in the opposite direction – do something totally different. In his interview with Powys, Bill compared Resurrection to Star Trek II: The Wrath of Khan, a rip-roaring adventure. Keeping the Trek analogy going, The Forsaken is probably more like The Motion Picture. It is concerned about the „bigness of it all,“ and therefore there’s a lot of territory to cover! For instance, Resurrection didn’t leave the confines of Alpha, and had this tremendous feeling of claustrophobia. The Forsaken is mostly a planetary adventure, and that means lots of material involving Eagles in flight, a new alien race, and other really intense plotting complications. But we felt strongly that the planet adventures are an important part of the Space: 1999 history and legacy, as much as the self-contained tales I actually prefer, so we set out to create one that we hope will surprise people.

Q: The Forsaken has been described as a bridge novel? What does that mean?

A: Even the casual fan knows how things changed between seasons of Space:1999. After Year One, we lost Victor, Kano, Tanya, Paul, Main Mission and so on. In Year Two, everyone was wearing new uniforms, Alpha had lasers installed on the base, and Command Center was underground. One mission of the bridge novel is to explain how some (not all…) of these changes came about.
One of the things I like about the book is that it is almost literally a bridge. It starts out very much like a Year One adventure in mood and mystery and ends like a Year Two adventure in terms of conflict and action. It’s sort of the missing chapter in Space: 1999 history. That’s what will make the book controversial.

Q: How so?

A: As soon as you fill in a blank, there will be people who don’t like what you’ve fit there. Some will accept it; some won’t. But the great thing about this new book series is that Mateo is willing to ask hard questions and follow ideas through to their natural conclusion. I actually chickened out on a few things, but Mateo has balls of brass. If something should happen because it’s right, it’s going to happen in the novel. On a TV series, characters can’t change week to week. In a book series, especially one in which some characters „disappear,“ there is the possibility for growth, death, reversal, development, you name it. How these changes are received is anyone’s guess…but it’s a very provocative idea. I hope it gets people talking. That’s the way to get the series back in the forefront of the public’s imagination – to make it faithful to what came before, but also to energize it with new, exciting ideas. The more people that pick up Resurrection or The Forsaken and start feverishly debating them, the better. That’s an infusion of new life, because it means people care.

Q: Does that mean beloved characters will die?

A: I’m not going to answer that. Read the book.

Q: Is The Forsaken a sequel to any particular episode of Space: 1999?

A: The book begins with an event we saw dramatized in one particular episode, and then explains, rather dramatically, the catastrophic ramifications of that event. It isn’t a sequel in the traditional sense of the word, but something that occurred in Year One causes the Alphans considerable grief.
Also, there’s a thematic strand that Bill created in Resurrection that is followed up in The Forsaken, to give the book series its own internal consistency.

Q: Do the supporting characters appear in The Forsaken?

A: They do. Alan Carter and Paul Morrow play major roles. Tony Verdeschi is there too, to a lesser degree, and there are some surprises for Tanya. Just about everybody is in the book: Sandra, Kano, Mathias, Ben Vincent, Bill Fraser, et al. There’s fleeting mention of Yasko, Jim Haines, Petrov, Crato, and other Alphans we know and love. I felt very strongly that the book series needed to re-establish the supporting characters and bring them forward with unique things to do.

Q: What do you think the fan reaction will be?

A: You can never tell. I’ve written books about many different TV series, and some fans appreciate the thought that goes into your work, even if they disagree with your conclusions, and others merely despise you for honestly offering them. I have found Space: 1999 fans to be a very thoughtful and welcoming bunch. They’ve always been very respectful of me, even when we had disagreements about particular episodes or ideas. I think they understand that the series is supposed to be awe-inspiring, challenging and sometimes tragic. And I think those words pretty well describe The Forsaken. If a fan goes into a reading of the book with those notions, he or she won’t be disappointed.

Q: What do you think is Space: 1999’s greatest strength?

A: It asks the important questions about humanity. It doesn’t fall back on political potboilers or genre tropes. It is about mankind facing his destiny among the stars. That’s enormously appealing and the reason why the series remains popular after all this time. The stories beckon and stir our souls, and we long to know, along with Koenig, Russell, Bergman and the others, the mysteries of our beginnings and our ending…

Q: If you had to describe The Forsaken’s theme in a few words…?

A: Oddly enough, it would probably be a line of dialogue – paraphrased – from a low-budget John Carpenter movie, Prince of Darkness (1987): „Although there is an order to the universe, it isn’t at all what we had in mind…“