Welcome to Powys Media › Forums › General Forum › Suggestion Box › New Poll — Year Three, Anyone?
- This topic has 19 replies, 10 voices, and was last updated 14 years, 7 months ago by Glenn McCrabb.
-
AuthorPosts
-
April 16, 2010 at 2:21 am #802Bill LathamKeymaster
So maybe you’ll see more audio books down the road…
Let us know what (if anything) you’re liking about Year Three (so far).
April 18, 2010 at 4:16 am #808Robert RousseauParticipantI just read BFA, Omega and Alpha in 3 days. I think I can say i loved the 3 books. Just couldn’t get my eyes off them…..The question is: what’s next?
I hope next books will push the story of the Alphans forward. I have nothing against Y1 and Y2 stories and once in a while, going back might be entertaining but i hope we’ll fill the gap between the story told in Alpha and Message from moonbase Alpha. It might be possible to have a year 4 serie of book based on Terra Alpha colonising and even a year 5 serie when the next gen of Alphans goes back to Alpha. OK, those are just suggestions……. For now, i would certainly enjoy more y3 stories. A story about the Alphans from ATAP and the novelisation of the children of the gods script would also be favorites of mine.
Just one more thing….or two. Don’t make it too easy for the Alphans to manufacture new ships or improve the moonbase. One of the things i like in space 1999 is that it was different from Star Trek with their almost infinite ressources/infinite possibilities. The Alphans always had limited supplies, ressources and that should stay that way. At least, i wouldn’t go further than you already have in recent books.
There were a lot of characters introduced in y1, y2 tv shows and all the books. Some of them seem to be forgotten: Parks, Irving,Osgood, etc…….. I would love to see them back in future novels. I want more Parks, Johnson, Irving, haynes,Collins and less Yasko!!!! Make her marry Balor and live happily with her new husband inside an asteroid, i don’t really care. B)
Just my 2 canadian cents!
Youppi!
April 19, 2010 at 7:00 pm #819Patricia SokolParticipantWell, Youppi, you certainly beat my time for reading those books. Wow.
It never occurred to me to reply to the new poll announcements – I thought they were FYI only.
Those six-word novels/statements seem to be all the rage, so: What do I like about Y3? I like it because it exists.
Here’s the thing – assuming we all, or nearly all, started watching S19 in Year 1, [i]that [/i]is what hooked us. And we all liked it for different reasons, and we all had our favorite episodes based on what we liked. For reasons that have been discussed [i]ad nauseum[/i], things changed. Some for the better, some because of economics, blah…blah…blah. BUT, the basic premise was still there and that is what kept most of us – the sense of adventure, the sense of wonder, the sense of people who would be approximately our age in 1999 being thrown into an impossible situation. We could grasp it.
As loyal fans, we felt cheated, because these changes were made for no explained reason. I remember being so confused, but there was enough I still enjoyed so I scoured TV Guide in the fall of 1977 waiting for the Y3 premiere that never came. Fast-forward to 1993 and my introduction to the World Wide Web, and suddenly discovering that there were other people in the world who remembered and actually enjoyed this show. I thought my father and I were the only ones! But, despite some excellent fanfic, there was nothing official, until [i][b]Message from Moonbase Alpha [/b][/i], and so no real sense of closure.
What have Powys and Y3 done for me? They have distilled the best of both worlds. They have kept the essence of what more that 95% of us like (judging by current poll results). They have been blended in what one may say requires a certain amount of suspension of disbelief – but don’t most of us do that anyway, out of necessity? So, no problem. Plus, my eternally 39-year old brain looks at things differently than my 12-year old brain did (my own personal time warp – I stopped aging at 39…). I have lived and had a career and seen corporate politics and known obnoxious people that I had to deal with anyway, etc. So, I have a different appreciation for situations, people, and so on. The rich special effects of Y1 allowed me to see the battles in [u]Born For Adversity[/u]. The in-depth characters of Y2 allowed me to appreciate the stories in [u]Shepherd Moon[/u]. The changes between Y1 and Y2 allowed me to enjoy [u]The Forsaken[/u] and [u]Survival[/u]. The promise of the short films [b][i]Space:Eternal[/i][/b] and [b][i]Message from Moonbase Alpha[/i][/b] made me long for the Alphans to indeed find a home.
It seems to me that the [i]change [/i]phase has ended. I mean – what’s left? Well, the only thing left is a planetfall, but with MfMA being canon, that is probably in the future offerings. [i](Side question – how much of MfMA is canon? Does it include Johnny Byrne’s premise for a relaunch?) [/i]
What would I like to see? I’ve mentioned this in other posts, but in summary – address things that have been hinted at: the incident between [i]The Metamorph[/i] and [i]The Exiles[/i] that makes Koenig accept and rely on Maya and her abilities (referenced in the beginning of [i]The Exiles[/i] in the Y2 Omnibus); how did Tony and Helena recognize the symbol on the stasis chamber Pasc and Etrec were in?; how did they recognize the plague warning coming from Sahala’s ship?; what – if anything – happened between [i]The Dorcon’s [/i]and [u]Born for Adversity[/u]? ( I think there is a reference in [u]BfA [/u]to it being several years since [i]The Dorcons[/i]); what happened in that very dangerous stretch of space the Korth commander mentioned?
Short stories…Novellas…Novels…I don’t care. It’s like pizza – it’s all good.
I think perhaps traffic is down at this site because we are in a lull between releases. I’d really encourage anyone who read this far to add his or her own comments to the thread. Unlike 30-odd years ago, this is an opportunity for our voices to be heard! Don’t let silence suggest apathy.
-Pat.
April 19, 2010 at 8:37 pm #820meredithParticipant[b]PatS wrote:[/b]
[quote]What would I like to see? I’ve mentioned this in other posts, but in summary – address things that have been hinted at: the incident between [i]The Metamorph[/i] and [i]The Exiles[/i] that makes Koenig accept and rely on Maya and her abilities (referenced in the beginning of [i]The Exiles[/i] in the Y2 Omnibus); how did Tony and Helena recognize the symbol on Pasc’s head?; how did they recognize the plague warning coming from Sahala’s ship?… Short stories…Novellas…Novels…I don’t care. It’s like pizza – it’s all good.[/quote]Absolutely. I’d very much want to see a take on some of the ‘behind the scene’ events of the canon episodes. Forging ahead is fine, but it seems that you are overlooking fantastic story fodder by not also delving into the potential stories that could address loose story ends.
April 20, 2010 at 1:24 am #821Stephen JansenParticipantthank you…
over to you Mateo…
steve jansen B)
April 20, 2010 at 4:23 am #822Mateo LatosaKeymasterThe “loose ends” stick in our minds, but do they a story make? Sometimes a loose end can be cleared up with a single line in a novel or story. Only if the loose end suggests that it is actually the beginning of a big ball of yarn (pun intended) does it warrant developing.
Maya goes from tears on a Eagle to fully integrated Alphan from The Metamorph to The Exiles. No explanation given. I knew John Muir was going to address this transition and so referenced his outline in the YEAR TWO omnibus. Pat will get her wish, as John is scheduled to begin writing the novel–of that transition and the crisis wherein Koenig learns to trust Maya–next month. The novel will be called The Whispering Sea.
Once I got an email asking if we’d explain why Fraser’s sleeve color was different in one episode. I said, no. Books are in black and white and no one can see the color of the sleeves in a novel. So drawing attention to what was most likely just a wardrobe mistake didn’t make sense story-wise. Nor would any of the characters comment on such a thing–not without drawing undue attention to it.
If an answer is needed, here is one: Koenig (in our novels) is having all the Alphans trained in other areas, so as to guard against losses. If all the nuclear engineers die, or all the hydroponic staff die, or all the doctors die, then what do they do. Also EVERYONE is being trained to fly Eagles in our books. So maybe Fraser was working in another section that day as part of his interdisciplinary training.
The point is that I know it drives us crazy, but it doesn’t necessarily work in a novel to answer such questions.
Now the Voyager One tapes may hold the key to the Universal Plague Signal and even the symbol of the Archanons.
What I’m really surprised no one has asked about is the alien ship from Space Warp. I didn’t know what to do with it, so I left the question alone. Next thing you know the book is published–question unanswered! :blink:
April 20, 2010 at 11:19 am #823Mark SpaldingParticipantActually I was the one that emailed about Fraser’s sleeve color way back when.
I had read in the Catacombs that he was the only Moonbase pilot with a red sleeve, signifying Main Mission/Command Center, rather than the orange pilot’s sleeve. It probably wasn’t a wardrobe mistake, but it was an incongruity that I was intrigued by.
Martin Willey writes in the character guide section of his site, “It is hard to explain why an Eagle pilot wears the red colour code.” Martin says Fraser was presumably Carter’s deputy since in some episodes he steps up to his Command Center post.
I had thought there could be an interesting anecdote or piece of character development behind the reason for his red sleeve. But, as you say Mateo, these things aren’t “seen” in novels anyway. I get it now that in writing a book this would probably be too far out of the scope of the story to be brought up naturally.
I like the idea that Fraser had already begun his interdisciplinary training to become a Command Center operative.
April 20, 2010 at 3:27 pm #824Mateo LatosaKeymasterWasn’t his wife a Command Center operative? I’m just saying… :silly:
It was a valid question–though I apologize for forgetting the details. I hadn’t remembered that he ALWAYS wore a red sleeve. That is interesting!
Here’s another example: What is up with the buttons on Koenig’s commlock? They’re all scrunched up in one corner in lots of Year One episodes. How did no one see this?
April 20, 2010 at 4:37 pm #825meredithParticipant[b]mateo wrote:[/b]
[quote]The “loose ends” stick in our minds, but do they a story make? Sometimes a loose end can be cleared up with a single line in a novel or story. Only if the loose end suggests that it is actually the beginning of a big ball of yarn (pun intended) does it warrant developing.[/quote]While i am not sure I agree with this, why not then address loose ends in a short story anthology? While a ‘single line’ may serve to clear up many loose ends, I am certain the clever writers you have rounded up could develop more of a story, albeit a short story, if they were so inclined.
[quote]Once I got an email asking if we’d explain why Fraser’s sleeve color was different in one episode. I said, no. Books are in black and white and no one can see the color of the sleeves in a novel. So drawing attention to what was most likely just a wardrobe mistake didn’t make sense story-wise. Nor would any of the characters comment on such a thing–not without drawing undue attention to it.[/quote]
Two thoughts on this answer: One… adjectives are a wonderful thing. I think we readers can handle the descriptors of ‘red’ and ‘orange’ well enough. 🙂 Two… the readers of these books are, I imagine, almost to a person fans of the series, and we all know Fraser is running about with the red sleeve. And wardrobe malfunction of not, it was consistent throughout Y2, so why not address it?
[quote] If an answer is needed, here is one: Koenig (in our novels) is having all the Alphans trained in other areas, so as to guard against losses. If all the nuclear engineers die, or all the hydroponic staff die, or all the doctors die, then what do they do. Also EVERYONE is being trained to fly Eagles in our books. So maybe Fraser was working in another section that day as part of his interdisciplinary training. [/quote]
Well enough, and I agree the cross-training would be inevitable. Given this, why not run with it and include it formally in a story?
[quote]The point is that I know it drives us crazy, but it doesn’t necessarily work in a novel to answer such questions. [/quote]
It could. Many of the novels to date are almost over-full with details, it seems that this rather obvious incongruity could be addressed somewhere along the line.
[quote] What I’m really surprised no one has asked about is the alien ship from Space Warp. I didn’t know what to do with it, so I left the question alone. Next thing you know the book is published–question unanswered! :blink:[/quote]
Rather, take it one step further and ask what about any and all of the ships that ended up on the moon in the run of the series. It has always seemed to me that this was one potential resource that went begging to be explored and possibly used.
April 20, 2010 at 5:26 pm #826Patricia SokolParticipant[b]mateo wrote:[/b]
[quote]Here’s another example: What is up with the buttons on Koenig’s commlock? They’re all scrunched up in one corner in lots of Year One episodes. How did no one see this?[/quote]
Why is Helena’s turtle neck different and change color near the end of the series? Why do she and Koenig just have two (visible) stripes on their uniforms and not three? Why did they have professional glaziers available to install new windows in the “The Last Sunset?” Why would such things even be in stock and why didn’t they blow out when the atmosphere was “taken back”? Why didn’t Helena change her dress in “One Moment of Humanity” – and why was she so scantily clad and JK in a turtleneck and jacket on the planet? Why wasn’t she leaning over a console wringing her hands during “Devil’s Planet”? (OK – you addressed that one.) Why did that space warp thingy act as a Tom Tom GPS unit in “Devil’s Planet”? Why could Maya go from one form to another without her normal intermediate state sometimes, but not others? Why not change into a bug in “The Rules of Luton” instead of being crushed in a cage as a kestrel? How could she and Koenig cross through a lake in that episode and emerge dry? Why didn’t she change into a horse and they gallop off into the sunset? Why does Tony think that beer without bubbles is good? Why does the guy in “The Last Enemy” talk with his eyes closed? Was there ever a space mission that went off without a hitch? The list of failures is impressive. Why are the women on Ultima Thule so attractive and hanging on Carter likes he’s some Adonis (how horribly sexist and insulting)? How did Morrow get hurt immediately preceding “The Infernal Machine”?
Who does the laundry and cleans the bathrooms? I’m just sayin’ … :S
As the good doctor might say (and has said) – “Take it easy..take it easy.”
I don’t think realistically we, as readers, expect these things to be answered – they have a lot more to do with either the need to advance a story forward, or an issue at Pinewood. I think at this point we understand that – enough of us have spent time at the Catacombs to be aware of all these things. Nor do I think Powys – as writers and publishers – have a duty to explain everything. Some things just are; I get that. Other things are intriguing and suggest there [b]may [/b]be something to expand upon. But, if not, OK; I get that, too. The original 48 are essentially short stories. Like Cricket, I think these issues could be quickly addressed – if y’all have the time and inclination.
Maybe we fans could come off as needy. This is why a lifeguard approaches a drowning victim from behind – so the drowning person does not grab on to his rescuer and drag them both down. But, our neediness is born from our enthusiasm.
Thanks for Y3, guys (and gal). 🙂
(Wardrobe malfunction..hee hee. Maybe he’s colorblind and kept grabbing his wife’s uniform. Perhaps we should be thankful he was not a cross-dresser as well; he looks like he probably has knobby knees.)
April 20, 2010 at 5:33 pm #827Patricia SokolParticipantAnd by the way – although this is not really Y3 related – there are certain little things that are wonderful subtle yet meaningful changes. For example, in the Y2 Omnibus edition of “One Moment of Humanity” having Zarl’s advances amount to assault rather than seduction is much more in keeping with JK’s reaction and HR’s character. There are, indeed, many of these small sentences and changes that crop up that do answer some things.
-P.
April 20, 2010 at 6:21 pm #828Mateo LatosaKeymasterThat is some list! In the end, and I’m beating a dead horse here, it’s all about making it fit organically in the story. Sometimes an author (or editor) sees a chance to address a long-held question and takes it. Other times, it seems like a stretch and the opportunity may get passed over.
As Pat pointed out, in the Y2 omnibus, we put hundreds of little fixes. I personally reworked One Moment of Humanity and Catacombs of the Moon. I couldn’t believe the androids couldn’t figure out how to kill without emotion. “Take human, remove head. Death occurs.” 🙂
And I am most proud of COTM–where I tied Osgood’s visions, the firestorm, and tiranium together. I think the story works now.
And to address Cricket’s points. I don’t think it is clear that the authors may choose to address some long-standing questions and do so, while the editors may not and so do not ADD their OWN answers to the manuscripts. Perhaps if we had a laundry list of issues, we could tackle them progressively. Or at least be aware of them. Until now I totally did NOT know that Fraser’s sleeve was always red. I misread the original email as being red in one episode and so didn’t think it was important enough to be addressed. Sorry!
Then again, that is EXACTLY what we did with Y2. Martin Willey gave me a list of 65 issues with Y2 that he thought should be addressed. We tackled as many as we could within the context of storytelling.
April 20, 2010 at 9:01 pm #829meredithParticipant[b]mateo wrote:[/b]
[quote] Martin Willey gave me a list of 65 issues with Y2 that he thought should be addressed. We tackled as many as we could within the context of storytelling.[/quote]Now this is a list I’d love to see!
April 21, 2010 at 1:29 am #830Glenn McCrabbParticipantPlease, please Mateo, don’t answer all of the questions asked here. It would just ruin the story. The small mysteries are as equally important as the big ones. I loved the mystery and unanswered questions of season one, I’m sure all of the fans did. But that is what makes the show fun… Don’t you see, without the mystery what would we have had to ponder and converse about for all of these years? So please, leave some of the mysteries and while you’re at it, feel free to create a few more. The universe is not only stranger than we imagine, it is also stranger than we can imagine. 😉
April 21, 2010 at 2:54 am #831William LathamKeymasterDon’t worry, Zack — as much as everybody’s input is important, part of “stewardship” is knowing how to maintain a balance of mystery and anticipation.
One of the more enjoyable parts of Year Three (if anybody’s noticed) is related to some of Pat’s observations — for most people, Space:1999 has evolved with them, as they’ve come to know the world as teenagers, then adults, and now…ahem…older adults. While there are still science fiction threats that the Alphans are facing in Year Three, they’re also dealing with very grown-up problems — parenthood issues, resolving often complex relationship issues (and not just with the folks on Alpha), issues of mortality, even mid-life crises. We know teenagers probably aren’t reading these books — so we’re often inserting conflicts that would be of interest to people who are approaching middle age. As much as the franchise has been tweaked a time or two over the last few books, Year Three is pretty much established, now (although many things can, and will, happen before MFMA). But we’re not finished with Years One and Two, yet.
The last three novels have established a milestone of sorts between the end of Year Two and MFMA — a solid plateau on which to build new stories, now with all of the best tools at our disposal (or at least our favorite tools). Getting us to this new plateau has taken years. At the same time, we’ve tried to get everyone to expect the unexpected. This old show can still surprise people! It still has power!
It also still has mystery — and we’re not finished adding to that just yet. In many ways, our goal hasn’t been to provide answers — it’s been to get people to start asking questions again instead of recasting the show with modern actors. And you know what? We’ve succeeded.
-
AuthorPosts
- You must be logged in to reply to this topic.